10 tips to reduce tension and pain in your fingers playing the guitar!

This phenomenon particularly affects beginners, but can also annoy some players who have left their instrument aside for several months: when you play guitar, you feel tension – even pain – in your fingers. Of course, since we adopt positions that have nothing natural on the handle, we ask a lot of joints … And they sometimes end up showing some weaknesses. Rest assured, these discomforts are not fatal: here are 10 helpful tips to better support and reduce pain.

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1. Facing beginner’s pains: they will disappear

In the majority of cases (for the right-handed ones), the left hand runs the neck to make the chords, while the right hand scratches the strings on the lower part of the guitar. Logically, the friction on the handle is more demanding : the left hand discomfort first (right hand left-handed).

Although joint pain exists, the first handicap stems simply from the friction between the fingers and the strings. It disappears as the training is linked , because by being forced, the skin of the fingers protects itself. You will see horn forming, then observe as a hardening. Gradually, discomfort will diminish until it is no longer felt. Patience!

2. Release the pressure

When you start playing guitar , stress influences the vast majority of movements . It is not without consequences on the quality of the game: so that the sequences are more fluid, it is necessary naturally to learn to relax, to take confidence and especially to consider the practice of the guitar like a real pleasure.

More surprising, this tension encourages you to press harder on the handle. By force of circumstances, the friction with the ropes is increased, the joints work even more – and the suffering grows. Thus, for the learning of the first chords to generate less pain, it is simply necessary to consider the mind calmed . If such advice seems easy to say, we must not forget that there are many methods used by musicians to relax: meditation before training or breathing exercises, among others.

3. Adopt the right posture

As soon as you start the guitar lessons, the teacher learns to position himself, to sit properly, to hold the handle in the right way and to install the instrument on his thighs. Put all these tips in your mind: a correct posture gives you all the keys to play effectively , quietly, without generating too much harm.

In general, a badly committed body will already be tortured : besides hand pain, if you play a long time, you will feel stiffness in the back, cramps in the legs , etc. Naturally, you will not be able to move your hand properly on the handle, which will further fuel the tension in the fingers.

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4. Choosing the right strings

The choice of strings is a decisive moment for all musicians: it will have consequences on the sound, of course, but also on the difficulties encountered. If you’re new and your fingers are really painful, use thicker or medium-sized models, which are theoretically more comfortable.

Be careful, this choice does not imply that everything will be easier. Because if they sensitize less the fingers, the thick cords are also more complex to handle, since the space between them is reduced. The chords are simpler to succeed with thin strings, but also more painful. Try intermediate thicknesses in order to find the right compromise!

5. Prepare a grandmother’s remedy

Some purely natural solutions can help you, at first, to reduce these pains with the hands. Pour a sufficient amount of apple cider vinegar into a container to soak all your fingers . Impregnate your skin for thirty seconds, before and after training : some musicians approve this method that costs almost nothing.

Another economical remedy accessible to all, the ice cream. After your little game session, you can form an ice pack and grab it in your hands . Low temperatures have anesthetic properties: there will be no “long-term” effect on pain, but this initiative will have the advantage of relieving pain that occurs just after training.

6. Take care of your hands

This may seem anecdotal: when you get used to the guitar , you have to take the time to take care of your hands . For example, when the horn appears, do not attempt to tear it off nervously. You may form a wound and, if you are one of the less fortunate, she will become infected … This will prevent you from playing for several days!

So that your skin reacts well to all these solicitations, moisturize it regularly, protect it from external aggression (cleaning products, gardening, etc.) and maintain good hygiene habits, especially if you hurt yourself (disinfection of wounds, dressings).

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7. Allow the horn time to train

Once the horn has formed well on the fingers, the pain disappears. Some impatient players are tempted to redouble their efforts over a short period of time, to solicit their fingers and speed up the process. But going beyond his initial abilities, the guitarist will suffer above all much more than he should, knowing that he will then have to wait several days to be able to resume his instrument, so that the tissues are reconstituted.

So, just let time and nature do things. By learning softly, the horn will be formed day after day. Theoretically, it only takes a few weeks to have a good base : if you claim to be able to get there in a few days, you are wrong and you take the risk of losing even more time!

8. Identify alerts and make the right decisions

When an unusual pain occurs during the game, do not minimize it and do not force it. Stop for a while, try to find the origin of the problem (friction on the skin, joint, stress) and resume only once relieved. Fetuses on the fingers are benign , but they appear theoretically cold.

Major muscle or joint discomfort during play is not necessarily normal. Do not worry, but the break is necessary at this time and, if it continues, do not hesitate to ask for an outside opinion.

9. Warm up before starting training

There are warm-up methods specific to guitarists. Your teacher can certainly teach you. But if you are self-taught, do not hesitate to consult videos on the Internet, in order to visualize concretely these methods allowing to begin serenely his session of guitar. For example, fix yourself on the first four boxes of the neck, and play all the notes, rope by rope. In this way, you solicit the gap between your fingers and work on your landmarks.

You can also warm up the right hand, which scratches the strings , multiplying the back and forth on all the strings. So that the gesture is more fluid, we recommend going from rope to rope without looking at what we do, as long as we maintain a certain ease.

10. Practice diligently

Patience and perseverance will overcome your pain in your fingers. Indeed, the gradual formation of the horn will reduce the unpleasant sensations of friction … Only if you play regularly. It is not necessary to practice very long each time, at the risk of over-soliciting the body and trigger tendonitis.

Instead, choose rather short training sessions, one hour, several times a week. Little by little, the practice of the guitar will become less and less painful … And more and more pleasant!

5 good reasons to start on classical guitar

Learning to play the classical guitar has many advantages that often carry the support of the beginner musician: a natural extension of the body, the classical guitar gets carried away with no cumbersome electrical devices and can be learned any age! However, like every musical instrument – piano, violin, flute, harp – it requires motivation, training and some diligence! Rome was not made in a day and the concerto of Aranjuez or a Prelude of Villa-Lobos either!

The classical guitar before the electric guitar, why?

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Its handling is the simplest and the most harmonious to start the guitar:

The acoustic guitar, in nylon thread today – in animal gut annealed until the middle of the 20 th century – is devoid of electrical connections, and only the resonance emitted by the wood of the central box directly relates the sound emitted by the vibration of the strings. It is practiced with the fingertips, with the nails or with the help of a pick.

If you are a guitarist , the manipulation of the strings on the center plate of the classical acoustic guitar allows a wide and comfortable spacing between the strings, and encourages good posture of the body as well as the positioning of the fingers, from the first courses .

A classical guitar lesson can be practiced with a home teacher:

The interest for a beginner teenager or adult learning classical guitar is to be able to evolve, from the decision taken, with a professional guitarist at home, which will obviously teach you the basics of the instrument but above all:

  • Help you choose the type of guitar that “sings” to your ear, and that fits your budget before a definitive favorite purchase.
  • Determine the number – the set – and the type of strings – nylon wrapped with bonze or steel, to put on and adjust on the guitar.
  • You avoid bad habits of the beginner!
  • Direct and regularly modify your posture and your body language
  • Test your musical ear and get used to recognizing good tempos
  • Learn to read the Tablature and acquire good basics in music theory

A classical guitar can test and master the sound of your chords:

Which (if any) wood (s) in which your guitar is made, its resonance differs significantly. The acoustic guitar according to the number of strings applied – 6/8 for the usual -, returns you to your personal listening as well as that of your teacher: very quickly, you recognize, from the first resonance extinguished, the agreement just or resume.
To set the set of your classical guitar is a regular ritual to adopt , almost daily, thanks to a tester, with the help of your teacher or a luthier, so that it resonates just and that the rigidity of the strings is exactly what you expect, according to your personal touch. More experienced, you will enjoy adjusting it yourself.

Quickly, you realize, with the use, if your set of 6 or 8 strings will last a day or a year: you quickly understand that it is necessary to have a set of spare strings at hand , just as for the violin!

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With the classical guitar you decrypt live Tablature – the range – on the neck of your guitar.

That the neck is in maple – resonance fine and high – in rosewood – sound more rounded and better held notes – finally, for the most silvered and able to equip professionals – in ebony – to the sound very hot and to the touch Silky – you have to get used to tune, hold, and manipulate your guitar , from tablature to chords performed along the strings.

A classical guitarist pro teaches you in a few weeks – depending on the time you can devote – to read a tablature chords. In the process, you practice the 8 main agreements to tame to find yourself alone / in groups, with mature and assured gestures allowing you to move to other stages.

The classical guitar: a vocabulary to discover alongside a teacher.

Child, it does not matter, teenager, we want to show that we know and adult, we absolutely do not support not knowing!

“Do you have a Mapple, a Rosewood, an Ebony? ”
“She has good sustain! ”
“One of your frets is crushed! ”
“Your thread is flat or round? “

More involved and interested, in a few days you can master the basics of the classical language of the guitarists in love with their instrument thanks to the expertise of a professional who tells you, from sight, and after repetitions of simple gestures, all the words / the expressions, used in the Corpo des Cordes.

Then come Paco de Lucía, Antonio Lauro, or the best seventies hits of Maxime Le Forestier with real confidence, and if you opt for folk or flamenco later, you will already have all the assets in hand to diversify and expand your passion and your audience!

5 simple tips to start on the guitar

You decided to put on the guitar? Whether you simply want to amaze your friends or become as famous as Jimi Hendrix, here are some tips for getting started on the guitar! Indeed, it is important to start on a good basis by avoiding some bad habits from the start. You will progress more quickly in your learning of your new instrument.

In a good guitar you will invest!

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Investing in the good guitar is the BA BA! However, when you are an apprentice guitarist , it is not always easy to know where to start and on what criteria to choose. Especially having a guitar that does not fit your needs can make learning a bit more complex. So, for starters, the base of the base: do you want to play acoustic or electric guitar? Many begin with an acoustic because the game techniques that we learn with are quite easily transposable to the electric guitar. Classical acoustic guitars are also generally cheaper and easier to carry (no amplifier to bring anywhere). However, if you want to start with the electric guitar, nothing stops you! When you are in the store, do not hesitate to try different guitars , read their characteristics well and if it is still not more obvious for you, ask a seller for help!

A tuner you will get and just play!

Another important point: it is essential to ensure that your guitar is well tuned every time you play! If this is not the case, you will not be able to correctly learn the different chords and scales you need to play. As long as your ear is not trained, use a tuner to assist you in this task. Once you are more used to it, you will gradually be able to pass this little useful tool!

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Simple and modest you will stay!

Make yourself a reason, unless you are a virtuoso, you will not play Jimi Hendrix from day 1! From this simple observation, you will be humble in the way you have to go to reach the level of this great manitou guitar. You will begin by learning the basics of the guitar , not only the technical bases but also how is your instrument built, what it is made of, how to maintain it. Learn to hold it properly whether you play sitting or standing. Then work on your chords, your scales and your harmonies, know how to decipher a score . While these steps may seem daunting, they build the foundation for your future progress.

Regularly you will train!

Perhaps you have already heard that it takes 10,000 hours of training to master a skill ? The guitar is no exception to the rule! This is why regular practice is essential to improve . To be effective, try to train between 10 and 20 minutes each day, in addition to your lessons with a teacher if you take them. This should allow you to progress quickly.

Fun you will have!

As always with the practice of an instrument, the most important thing is to make you happy! Be happy to play even if, at first, your song sounds terribly wrong. Do not put pressure to reach the level of your friends who practice for 10 years, move at your own pace! Play the songs you like , and if you’re lacking a bit of technique, work on it for your musical purpose. Have fun!

5 mistakes to avoid when teaching guitar to beginners

Do your students tend to progress slowly enough and find it frustrating? Do you feel that your students are not interested in your advice? Do you find it hard to motivate them and sometimes feel uncertain about how you teach and the content of your lessons? These are common problems when teaching novice musicians and especially young children . Giving lessons to apprentice guitarists is often difficult and generates some responsibilities. Find the right method, and they will learn to love the guitar by progressing regularly. Lack of pedagogy, and you will discourage them for sure.

So here are 5 mistakes that are waiting for you as a teacher, and some solutions to avoid them.

Mistake # 1: Using Linear Teaching Methods with Beginners

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Most teachers apply a linear and logical method . An approach that does not always work with beginners who will progress very slowly and will end up giving up a lot, frustrated, as their teacher elsewhere. But yet many methods of learning the guitar are designed in this way and there is the problem. This type of method is perfect for a subject that obeys logic perfectly, like mathematics or science, but not for music where the pleasure, improvisation and creation aspect are often forgotten during a classical learning.

If you realize that this does not work on some of your students, do not hesitate to try to apply your own learning techniques and to try to diversify the exercises to make the course more playful and adapted to everyone, which seems to be the most effective. Among these methods, there may be mentioned the so-called “geometric” method.   With this approach, students quickly integrate the skills needed for the guitar from the beginning of their training.

Mistake # 2: Use the wrong methods from the first class.

Among them we count the musical theory without putting in paratic, the placement of the fingers or the deciphering tablatures or partitions. In short, what a beginner looks for first is the contact with the instrument. It is therefore preferable to alternate theory and practice or to teach theory through practice so as not to tire students. Although the mastery of solfeggio and some theoretical knowledge is very useful, it is not necessary to overwhelm a new student with these topics from the first lessons. Why ? The main reason is that most beginners get bored quickly and lose interest in the theory. Of course, some students will have a good reaction to these teachings, but that will not be the case for everyone.

Some teachers feel irresponsible if they do not get into the thick of it right from the first lessons . However, the first goal should be to give confidence to his student on his abilities and enjoy playing properly. This will save you from making the third mistake.

Mistake # 3: Do not get your students to trust their abilities.

Apprentice guitarists do not know how to play guitar , how guitar lessons are played, and do not know their own skills. They just know if they will be able to learn to play their musical instrument but are not necessarily aware of their potential . Most beginners have the idea that you have to be naturally good at playing the guitar, which is often the cause of discouragement.  

The role of the teacher is primarily to rid them of these doubts as quickly as possible. But encouragement is not always enough. You will need to use methods that will provide your students with tangible evidence of their abilities and make them aware of the need for regular efforts.

Mistake # 4: Use the same teaching methods with beginners and intermediate or advanced students.

As mentioned above, giving your students confidence should be the main goal of your first lessons. Once done, your teaching will have to be different from the one you bring to more advanced guitarists. For example, they will be more likely to engage in a tedious exercise, without sparing effort, in order to advance their game. Most beginners, meanwhile, will not always understand this. idea, especially if it involves practicing exercise for a long time. This is usually the case for young children or adults for whom guitar lessons are a relaxing time. Your methods will therefore have to adapt to your students. Concentrate on the idea that you are teaching more people than you are teaching music.

Mistake # 5: Give courses without de ned v éritable approach.

Communication with your students is essential. Knowing their tastes in music, their expectations, their objectives will help you to know them and therefore to implement a suitable learning.

This interaction with the student will only be more motivating and will encourage them to express themselves both orally and musically. When you offer them exercises that may seem boring from their point of view, do not hesitate to explain to them the importance of exercise and how it will be beneficial to progress more quickly.

In any case, if a student hangs from the start he will volunteer and practice regularly at home.

The final word

Avoiding these mistakes will have a positive impact for all your students. You will see them progress quickly and with much more enthusiasm. As for your reputation as a teacher, it will only get better!

5 rudimentary steps to learn the piano!

Like many, you may dream of playing the piano, but are held back by the amount of effort you will have to make to get there. Still, if you are really motivated you should not stop at this idea. Because if you do not become Mozart right now, that does not mean that you will not be able to play the songs that you like and have fun playing them! If you follow these 5 steps carefully and you can play your first songs pretty quickly.

Step 1: Know the notes well

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This is the essential step for any musician: knowing the notes and learning to read them on a staff . It is a tedious step that repels many beginners and yet it is the key to independence to be able to decipher any partition. All these symbols will seem strange to you at first, but just like for the alphabet, when the click will be done you will be able to read the notes naturally. Do, Re, Mi, Fa, Sol, La, Si, are the different notes, they are differentiated by their position on the staff. Their position indicates the tone in which you must play them.

Step 2: Getting to know your keyboard

A second important step is to know your instrument. The piano is composed of black keys and white keys. Blacks are used to play sharps (#) and flats (b) . On a keyboard, they are in groups of 2 and 3. A group of 5 black keys (1 group of 2 and 1 group of 3) and adjoining white keys is a range from Do (the white key on the left of the group 2 black keys) to get to Si.

Discover how to work the independence of both hands.

Step 3: Train to chain notes

Start by playing Do – Re – Mi up and down until you are comfortable with the keys. Then do the same with Fa – Sol – La – Si. Do not hesitate to test different sequences to bring fluidity to the movements of your fingers on the keyboard.

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Step 4: the durations of notes

Each note you read tells you how long you have to press the key . The most common are:

  • The round: it lasts 4 times.
  • The white: it lasts 2 times.
  • The black: it lasts 1 time
  • The eighth note: it lasts ½ time

In particular, it is these durations of different notes that make it possible to give rhythm to a piece, to make it more dynamic.

Step 5: Start with easy pieces

Now that you know how to decipher a score and know how to find the notes on the keyboard, it’s time to stretch your fingers on a song. For starters, for example, you can start on ” In the moonlight “. To be more comfortable, start by playing the song with both hands separately: the right hand for the melody then the left hand for accompaniment . When you are perfectly comfortable with both hands, play the two parts together. Getting your hands coordinated will be difficult at first, but working hard will make it easy! As you can tackle slightly more complex pieces to learn to master the chords, the other scales that that of C major and of course the different rhythms, ternary and binary.

The final word

As the famous saying ” There is no point in running, you have to start at the right time ” and it’s all the more true for the piano. Start with simple pieces such as the rhymes of your childhood for example, then progressively move to more ambitious songs as your technique progresses. Feel free to go through methods for beginners like the famous Rose Method for example, which will make you progress step by step.

5 good reasons to learn piano to progress in guitar

Many apprentice musicians choose to start learning music with a guitar. Often inexpensive, easily transportable, it is best known for being an easy instrument to learn. Indeed, it is not uncommon to start the guitar self-taught and quickly be able to play popular songs like the famous “Come as you are” of Nirvana or ” Wonderwall ” of Oasis. Nevertheless, learning the piano is not to be neglected when you want to progress in guitar and that’s why:

Learn the piano, ideas to banish

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Too often, the image conveyed by the piano lessons is that of a severe musical education with a teacher too strict closing the lid of the grand piano on the fingers of his students at the slightest false note. For others “piano” rhymes with “classical music” and is incompatible with “modernity”. Still others see it as too bulky an instrument that can not be transported. Think again ! The piano, like most musical instruments, evolves with its time and can adapt to all musical styles! Today you choose your piano teacher, your musical genre and the model you want to acquire!

Work your musical ear

Playing, or even listening to different musical instruments is a good way to improve your guitar playing and expand your musical universe. Playing the same notes alternately on the guitar then on the piano will help improve your musical ear. This ability will be even more appreciable when you try to compose: being able to transpose a melody you just improvised on the piano to the guitar and conversely enrich your compositions!

Learn to position yourself well on your musical instrument

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Unlike the guitar, the piano is not played from a tablature, but from a score consisting of staves, two keys and notes and other signs. The language in which a piece of piano is transcribed is the universal musical language: music theory .
By learning to decipher piano sheet music you acquire a great knowledge of solfeggio, which at a certain level becomes essential to progress. Centuries of music composed for the piano can not be learned in any other way.

Rest assured, reading a score is not that complicated and the advantage is, that the place of the note on the staff indicates the note to play on the keyboard! For the rest, it is enough to learn the meaning of each sign, as well as the transcription of the rhythm (silences, breaks etc …)

As you learn, you will discover completely different ways of playing and musical styles that will enrich your game and bring something new to your performance or song composition on the guitar. And then, learning music theory will also allow you to open your universe to instruments more or less close to the guitar, which will be very useful if you plan to play in a band. The more versatile you are, the more you will be able to understand each other’s instruments, and thus create harmony between them. However, keep that in mind: the guitar always sounds an octave higher than the score.

Perfect your way of composing

On a piano, being able to play a different part with each hand is a talent that few guitarists possess . It is thus easy to make a test with an upward melodic movement while the other goes down, then to transpose this idea with two guitars or a guitar and a bass. You will be able to solve your chord problems more easily, so it will be easier for you to compose a melody for stringed instruments or to staple stringed instruments on a pre-existing melody, simply because you will master both. Learning the piano will also help you to progress in improvisation .

Are you tangling the ropes?

It is difficult to understand the complex chords of a guitar without a little training and working fingers.

  1. The guitar has a musical register a little less wide compared to the piano.
  2. Secondly, the strings of a piano allow you to play ten fingers on a wider range of notes.
  3. Nowadays, pieces made of complex chords are not the most popular pieces. If your music uses mainly chords of power, you will quickly realize how much this same chord may sound weak with a piano in front of a guitar, even with a distorted amp.

However, with a piano it is possible to easily play polycord (ie several strings struck at the same time). Learning to play will make you hear chords that do not exist on a guitar, unless you have at least two playing at the same time. And practicing more elaborate chords will improve your arrangements, especially if you choose to compose for several guitars.

The final word

In terms of composition, it is always useful to know how to get out of your comfort zone. Thus, all the little fads that you adopt on the guitar will disappear once on the piano. It can also be convenient to always have a keyboard available to test different chords and melodies. All these experiments will bring changes to your playing on the guitar, and it will be better!

Ready to go? Start now!

10 tips to improve your piano technique

We have all attended concerts where an artist dazzles us with a technique that seems humanly impossible to match. A phenomenon that has marked musical performances throughout history is an anecdote dating back to 1783, Johann Matthias Gesner describes Bach’s skill as causing “an effect that few Orpheus and less than twenty Arions can claim to equal.” If the technique of these two great composers may seem totally out of reach, it is possible to improve your own playing on the piano and get closer to it!

Is the technique essential for playing the piano?

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This question is common, especially for beginners in piano or among those who are still hesitant to embark. As with solfeggio, this worry is recurrent in the practice of almost all musical instruments.

Eighteenth-century musicians have taught us that music must have “something to say,” and that technique or “good performance,” is the best way to get there . Although the fortepiano (the eighteenth-century piano) has a lighter, faster and more sensitive feel, the modern piano is attributed to the technical approach to composition. With some tips, your chances of becoming a true virtuoso will be increased!

1. Maintaining

The general opinion regarding the body at rest is timeless: the hands should rest quietly in the middle of the keyboard, at an appropriate distance from the keys, and a bench set at a comfortable height to facilitate movement. The descriptions of Mozart and Beethoven encourage this posture. As for Türk, he warned us tirelessly against exaggerated facial expressions, such as grimaces or grunts.

2. The gesture

Most musical concepts develop through small movements (mostly delimited by groups of 2 to 4 notes linked together) that combine in different musical phrases, sections, to form the piece in full. And the gestures must go with the music.

3. From neck to fingertips

The forearm must rest naturally , just in the extension of the arm, and the same for the hand. The arm supports the hand, and the hand the fingers. The forearm moves the hand to the sides. The entire arm includes the shoulder and is used to move forward or backward to reach the top keys, and move wider on the keyboard.

4. The flexibility of the wrist

There is no good gesture without a flexible wrist . If we stick to Beethoven’s advice, it is possible to develop the feeling of “musical impulse” when playing two-note sets: “The idea is to withdraw one’s hand slowly. To achieve this, [the hand] must always be firmly placed on the first note and then lifted almost vertically [by the wrist] when the second note is struck. “

5. The position of the hand on the keyboard

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The best solution is to have the precise hand. And for that, it will be necessary that the arm is as relaxed as possible , so that the hand is too, and that by extension your fingers are more assured on the keyboard.

6. The fingers

These are the fingers that do most of the work, naturally arched and relaxed . In the same way, we will play a D major in pentacord by placing ourselves on the furthest part of the black keys : the fingers constantly relaxed, alert, resting slightly on the keys except if they must extend to play on a larger interval.

7. The e finger

For most instruments, a bad fingering equals a wrong note. Unfortunately, for pianists, it is quite possible to play just by completely missing the message of the work. Fingering is explicitly linked to musicality and inseparable from interpretation . It occupies a musical function as important, sometimes even more, than the technical aspect. The best musical effect surpasses the simplest technical choice. And the best way to do that is to develop a better fingering, but more importantly, to make it suitable for the piece you play. For example, applying a legato touch to a song that has many breaks and movements articulated by different links will not be the best effect.

8. coherence

Playing consistently will ensure you get the best results. For example, if a movement is repeated elsewhere on the keyboard and the fingering remains the same, then it will be the same type of sound. But if the dynamics change, it will be a question of knowing how to put the accent on the good notes.

9. The structural function

The base is the bass line (or the left hand). It determines the tempo and the rhythmic energy , gives the timing and clarifies the harmonic rhythm. Listen to the song and start playing again by focusing on the bass line. You will avoid being overwhelmed by technical difficulties.

10. The willingness ed

With the desire to develop and incorporate universal concepts from the eighteenth century you will get a style easier to set to music, rich in new facets and composed of a beautiful sound energy . Weaknesses will be revealed but also magnified because they will no longer be hidden by a long legato line or strings hit too heavy. However, working on these small details will give you a great opportunity to improvise and your technique will only get better!

7 tips to learn the piano faster in adulthood

Learning a new instrument is not easy, especially in adulthood. However, far too many people think that learning the piano is out of their reach simply because they are no longer children. However, no matter how old, anyone can learn piano, here are some tips to achieve it.

Choose a musical style

Jazz, classic, pop? Focusing on the style of music you prefer will be as beneficial as not to get bored, nothing is worse than working a piece you do not like! This will also allow you to find a teacher who specializes in this genre of music.

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Find the right teacher

A good teacher will not just make you better, he will show you new ways to learn, practice and develop your skills. When we choose a teacher , we do not just take the cheapest or the closest to home. You have to take the time to know his references and to ask him questions, for example: what are his methods of teaching? Is he used to teaching adults?

Choosing between a piano and a keyboard

Then determine whether you prefer to invest in an acoustic piano or keyboard : both have their advantages and disadvantages . For example, an acoustic piano is usually much more expensive than a keyboard and the sound is not adjustable, which is not very popular in the apartment. Electronic keyboards, although less expensive, lack the characteristic touch of a real piano. However, they can connect headphones or play with sound tracks in the background. Both options are possible, depending on your use.

Become familiar with the notes

Learning to read music is very important when you learn the piano as an adult. If you do not master it yet it’s time to get started! Start with a few notes on each key and gradually increase the difficulty by adding more and more notes. It’s tedious, but essential to progress quickly!

Be patient and confident

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It can be difficult not to criticize yourself when you learn something new. This is particularly the case when you learn the piano as an adult . When you do not move as fast as you would have liked for example. Indeed, learning to play an instrument, especially the piano takes a lot of time. As long as you are aware of it and are patient, everything will be fine. Make sure to notice and rate your successes , even the small ones, so you do not get frustrated throughout the learning process.

Establish training habits

Learning to play an instrument is like going on a diet!
You must pay attention to your progress, keep track of your workouts , and maintain a daily work schedule .

With this in mind, it can be very useful to keep a logbook to record exercises, successes and areas for improvement.  

Learn melodies by the ear

Knowing how to play by ear is not essential when playing classical, it is much more when playing jazz. Being able to hear what you are going to play in your head before you play it is the starting point to become good at improvisation!

The final word

Learning the piano when you are an adult can be intimidating. Do not let fear or frustration keep you from enjoying and enjoying your new hobby. Be patient and hardworking and you will make crazy progress!

5 received ideas that dissuade to learn the piano

You have always wanted to learn the piano but you have been discouraged every time? Are you convinced that you will never be able to play with both hands together? Do you think that learning to read music is long and tedious? Think again, everyone can learn the piano by giving them the means! For the little ones, as for the big ones, it is necessary to overcome these false beliefs on the learning of this instrument. Here are the 5 received ideas that dissuade to start at the piano!

It takes talent!

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This is probably the worst idea of ​​all! This notion of talent, this belief that wants you to believe that you were born with the ability to do something right or not, that is inscribed in your genes. This is particularly present in music. Yet no one woke up virtuoso one beautiful morning! Behind what is called “talent”, there is above all a lot of work and training ! The piano requires practice and daily efforts to be mastered. If a natural ability can help in learning, nothing will ever replace regular exercises.

You have to know how to read music!

Another common misconception about music that stops many novice pianists is the belief that we must learn to read the scores of all the pieces we want to play. It’s just wrong! If we compare music to language, we realize that to learn a new language, reading is the last thing we do. We first learn to listen, to speak. In the same way, playing music is more important than knowing how to read it. For example, to learn a popular piece, you do not need to have the score at hand. You can try to find the structure and the different chords by ear. By understanding this song structure, you will learn new songs in just a few hours. By practicing to play by ear, we can quickly play all that we hear: practice!

It is complicated!

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Have you ever tried to master a particularly difficult passage in a song without ever getting there and finally giving up after many attempts? Learning a new song with new rhythms requires your brain to absorb new information , so it needs to create new connections. It’s a bit like learning to juggle, we try with 3 balls, we fail at the start, then, by dint of training, we finally get there every time. It’s exactly the same with the piano! You have to train again and again until new connections are created.

I do not have enough time !

When learning the piano, it is better to play 5 minutes every day rather than practice 1h every 3 days. So, go for 5 minutes on your breakfast and you will not have any excuse not to put you there! In addition, remember point 3: no need to decrypt all partitions. So the next time you hear a song, try to understand the melody, listen to the different chords and the relationships between them. Do not forget the essential thing is to have fun and be consistent in learning!

It will take years!

And if you think that it will take years to succeed to have a correct level, think again, a regular training is the key to fast progress in music! We must find a source of motivation, a goal and each time it is reached to set a new one, and you will see you progress visibly!

At what age can my child start music?

To love music is natural, it’s innate. Everyone loves music, from an early age. There are plenty of studies showing that babies respond to all forms of music from the moment of pregnancy. Many future moms say they feel their child move in their belly as soon as they hear music! Babies dance before they know how to walk, usually around 10 or 11 months.

You have also probably heard or read a lot of information about all the benefits of music ! Children who learn music develop their creativity, learn autonomy, perseverance, learn to overcome their shyness, and so on.
It is therefore normal for parents to consider how to cultivate your child’s growing interest in music .

Introducing baby to music: musical awakening

If at 10 months your baby dances when he hears music, or tirelessly beats your pans with a wooden spoon, we’re sorry to tell you that, that does not mean he’s a little Mozart. No need to rush to buy a piano!

On the other hand, to introduce your toddler to the music smoothly, it can be interesting to register it to sessions of musical awakening in group. Incidentally, crèches, day-care centers and kindergartens often bring “musicians involved”, that is to say, professionals of musical initiation to the little ones. From the age of 4, you will be able to enroll it in individual music lessons? .

Your children will be invited to listen to music adapted to their age and to react to it with physical exercises: to dance, to clap their hands, to send a balloon in rhythm etc.

They will also discover the joy of singing, but do not expect them to sing right! Their voice is still too fragile. They have the opportunity to discover and touch various instruments such as the xylophone, the maracas, the recorder …

Is my child ready to start music lessons?

The children are all different, how many times have you heard this sentence? For music, it’s the same thing. As with everything else, you need to listen to your child .

First clue: did your child ever tell you about taking music lessons? If your 8 year old son has been tanning you for years to start the piano, without changing his mind, it is clear that you will have a hard time dissuading him from playing music. Explain to him how his apprenticeship will take place: he will be able to take classes either at the conservatory, music school or in private lessons. His music lessons will be held regularly, usually once a week. Depending on the structure chosen, he may have to attend music theory lessons in addition, or his instrument teacher will teach him music theory at the same time as the instrument. But above all, he must realize that music is a personal work : he will have exercises to work on his side, if possible every day. That said, if he is motivated, it will not hurt to get into it every night after school. Very quickly, he will learn songs, that he will have pleasure to play the evening or the weekend.

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However, you probably know that children have a certain ability to change their mind … Do not rush either the first time he tells you to learn the tuba … Discuss with him his project. Ask him why he wants to make music : to do like his friends? To play a piece of guitar that pleases him? Because he fell in love with the accordion? If his interest is very sudden, give him time to mature his project. He must understand that learning music can bring him a lot of joy but that instrumental lessons are also a personal investment, a real responsibility.

Do not forget that a musical instrument is a precious asset, entrusting your child with a clarinet or accordion is a real responsibility: he will have to maintain it, clean it, store it carefully. If you plan to enroll your child in violin lessons at 3 or 4 years old, and you think he will not be able to take care of his instrument, it is certainly too early: offer him a musical awakening. Even later, do not hesitate to stress this point with him because he will have to be aware of it. But soon you will see that he will fall in love with his instrument and it will be difficult for someone else to approach him: musicians are often very possessive with their equipment!

And if he does not speak to me?

Conversely, it is not because he does not tell you that he does not think about it. Some children are shy even towards you. We have a lot of adult beginners who tell us that they never dared to ask their parents cello lessons that made them dream … Maybe your child does not dare to assume his sensitivity, his artistic fiber? Or is he afraid of not getting there? This is true for both boys and girls, especially in pre-adolescence and adolescence.

Maybe he just does not think about music lessons as an extra-curricular activity. According to different studies, it seems that “only” 10 to 15% of students would practice music. Yet those who practice music are delighted and derive benefits that they will use throughout their lives, without necessarily becoming a virtuoso . Do not hesitate to tell him about yourself so that he can explore all the possibilities available to him: sport, music, dance, drawing etc.

Nevertheless, watch out for “projections”! If you have always dreamed of taking piano lessons or learning the violin, but have never had the opportunity, you would certainly be delighted if your child starts. Conversely, if you have played and you keep a wonderful memory, you will be inexhaustible on the happiness that it provides and your child will withdraw some pressure. Remember that if the request does not come from him, he may become discouraged very quickly and you will have trouble convincing him to continue his instrument.

Know that there are adult music lessons: if it’s your dream, why not register for singing lessons or piano lessons? And why not, seeing you blossom into music, your child may be very eager to follow you in this project, you could form a beautiful duet.